David Smith strove to create works of art that could be viewed "without reverence or awe" because they were, in his words, "natural . . . statements of peaceful pursuit." Intrinsic to this hope was his conviction that sculpture belongs in the elements, with sky and earth as its visible reference points.
The Fields of David Smith celebrates a three-year exhibition in the expansive landscape of the Storm King Art Center in Mountainville, New York. The aim of the curators has been to recapture the experience of viewing Smith's work during his lifetime, when it was deployed with care and exuberance in ever-changing arrangements in his fields at Bolton Landing in the Adirondacks.
The interplay between the works and their surroundings, and the effects of light on their surfaces, provides a new lens through which to view the sculpture of David Smith.Details: Edited by Candida N. Smith
published 1999, 143 pages, hardcover